「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有5部Youtube影片,追蹤數超過12萬的網紅在下葉問,也在其Youtube影片中提到,●訂閱我的頻道➥https://goo.gl/D9nsJq ●追隨我的臉書➥https://goo.gl/zeVwzX ●追隨我的IG➥https://goo.gl/Bi5UEu ●成為大弟子➥https://goo.gl/DmTFTW ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ ?想贊助及鼓勵在下葉...
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iron man concept art 在 Cổ Động Facebook 的最佳貼文
TỪ PHỤ HUYNH, ĐỒNG NGHIỆP CHO TỚI BẠN BÈ, GẦN 30 NGƯỜI ĐÃ TẠO NÊN 'NGHĨ KĨ'
Vừa qua, đội nghệ sĩ hình ảnh (visual artist) nổi tiếng của Việt Nam - Fustic. - đã cho ra mắt MV mới mang tên “NGHĨ KĨ” với một loạt những hiệu ứng kỹ xảo điêu luyện kết hợp với dòng nhạc bass house thời thượng.
Một lần nữa, Fustic. chứng tỏ rằng họ không chỉ đơn thuần là một đội ngũ làm visual, mà còn là một nhóm các nghệ sĩ đa năng đa tài về cả phần sản xuất hình ảnh lẫn âm thanh. Cùng Cổ Động trò chuyện với Trung Bảo - một trong hai thành viên sản xuất dự án này để biết thêm về Nghĩ Kĩ nhé!
🙏Hỏi: Chào Trung Bảo, bạn có thể chia sẻ về dự án Nghĩ Kĩ được không?
🔥Trả lời: NGHĨ KĨ là một dự án của Fustic. thể hiện sự nhìn nhận của con người về dòng suy nghĩ. Những visual trong MV Nghĩ Kĩ là tựa như những suy nghĩ thoáng qua, có lúc cụ thể, có lúc trừu tượng, có lúc giống như các ký ức đang hòa vào nhau. Sự nhận biết được dòng suy nghĩ này của bản thân sẽ đưa con người tới sự hỗn loạn, khi đó họ sẽ cố gắng kiểm soát hoặc đón nhận nó hay chỉ đơn thuần là quan sát những tín hiệu phức tạp và sự ảnh hưởng của nó. Nghĩ Kĩ tập trung vào trải nghiệm trong dòng suy nghĩ.
🙏Hỏi: Điều đặc biệt của dự án này là gì?
🔥Trả lời: Để thể hiện được rõ concept này của project, Fustic. đã tìm tới rất nhiều các chất liệu đa dạng, các phương thức làm hình ảnh khác nhau như 3D, risograph, digital illustration, stop-motion, xé giấy, màu nước, sơn dầu,... và thậm chí là cả công nghệ AI & AR. Số lượng các collaborator (cộng tác viên) tăng lên tới 22 người sau 2 tháng sản xuất.
Mọi người đến với Nghĩ Kĩ ngoài việc muốn chung tay làm nên một project siêu to khổng lồ về mặt hình ảnh, thì đồng thời cũng xem đây là một cơ hội được suy nghĩ sâu về một chủ đề, và không phải lúc nào chúng ta cũng có cơ hội được suy nghĩ về suy nghĩ của mình. Mỗi một collaborator, cùng với các background riêng biệt, các cách thức sáng tạo và chất liệu hình ảnh khác nhau, mang tới những góc nhìn đặc biệt tới khái niệm của “ý nghĩ” và sự hỗn loạn của ý nghĩ. Ví dụ như việc xé giấy là để thử nghiệm tạo ra sự hỗn loạn, tổ chức sự hỗn loạn để trải nghiệm sự kiểm soát của hỗn loạn, riso
print giống như là đón nhận sự hỗn loạn, hay rất nhiều các phương thức freestyle visual từ mọi người giống như là một quá trình trải nghiệm sự hỗn loạn vậy.
Tạo hình của 2 nhân vật chính được làm chính xác theo 2 producers của track Nghĩ Kĩ - Trung Bảo & Nam Lê với kiểu tóc đặc trưng của 2 người. 2 chiếc mặt nạ đưa người xem vào dòng suy nghĩ, vượt qua các giới hạn của các cử chỉ khuôn mặt hay ngôn ngữ cơ thể.
🙏Hỏi:Trung Bảo có thể chia sẻ một vài fact thú vị liên quan tới quá trình thực hiện Nghĩ Kĩ được không?
🔥Trả lời:
- 2 chiếc mặt nạ trong Nghĩ Kĩ được design bởi concept artist người gốc Ấn đến từ San Francisco - Kanish Cyriacus Palathingal. Kanish là concept artist chính cho Marvel’s
Avenger game hiện đang làm việc tại Crystal Dynamic. Mấy bộ quần áo của iron man các thứ là do ông này làm luôn.
- Nghĩ Kĩ có sự góp mặt của họa sĩ Thái Hùng vẽ 8 bức tranh acrylic khổ lớn. Họa sĩ Thái Hùng là bố của Trung Bảo
- Collaborator Bijan Berahimi là thầy giáo của Trung Bảo khi Trung còn học đại học ngành thiết kế đồ họa tại Portland, Oregon, Mỹ. Bijan là founder của FISK - một design studio nổi tiếng thế giới.
- Antiantiart in từng frame và vẽ đè lên
- Typeface Y-Mono Fere là một typeface tiếng Việt được design hoàn toàn bởi 2 collaborator designer tại năng ở Việt Nam - Duy Đào & Lâm Bảo
- Nghĩ Kĩ là project concept lớn nhất do Fustic. thực hiện nhưng team vẫn không quên phương châm chính - làm gì thì nhìn cũng phải dope.
🙏Hỏi: Những người tham gia dự án này gồm những ai, bên nào sẽ đảm nhiệm công việc gì?
🔥Trả lời: Có 22 người tham gia vào dự án lần này, trong đó:
- Music: Trung Bao & NamLeDay
- Creative direction: Fustic. Studio, Duy Dao
- FUSTIC. STUDIO
Art direction: Trung Bao
Visual art / Animation: Namleday, Hải Doãn, Hiếu Vũ, Gydient
- Graphic Design: Duy Đào
Concept art: Kanish Cyriacus
Augmented Reality design: Karolina Olech (BAWA)
- DEUX WAVE
Analog Visual / Cel Animation: Raymo Ventura, Rozz
- ANTIANTIART
Art direction: Phương Vũ
Mixed Media Animation: Mọc, Poki
Extra 3D Animation: Bá Việt
AI Research: Anh Khang
- WEDOGOOD
Riso Print Animation: Tú Lê, Jay Vu
- Painting: Hoạ sĩ Thái Hùng
- Visual Artists: Thong Dinh (ONEARTEVERYDAY); Bijan Berahimi (FISK), underscoreblock (BOX), Cường Nguyễn (MXC CREATIVE)
🙏Hỏi: Trong quá trình thực hiện mọi người có gặp vấn đề gì không? Khó khăn hay thuận lợi như thế nào?
🔥Trả lời: Khó khăn lớn nhất đó là - tuy định hướng về mặt hình ảnh cho MV Nghĩ Kĩ khá là rõ ràng từ thời điểm ban đầu, việc định hình sản phẩm cuối cùng là một thử thách rất lớn khi Fustic. đứng ra quản lí một team bao gồm 22 người với những style khác nhau.
Ngoài việc tìm ra lộ trình và workflow thống nhất cho tất cả mọi người, việc edit tất cả các visual do mọi người làm với nhau để tạo ra một video có điểm nhấn, có chủ đề cho từng khổ và có năng lượng dâng lên theo nhạc là một điều rất khó. Đây là dự án đầu tiên theo phong cách mix-media (tổng hợp nhiều chất liệu) với quy mô lớn thế này do Fustic. thực hiện, nhưng cũng nhờ có 22 collaborators, Nghĩ Kĩ cũng có 22 góc nhìn đa dạng và team có được những feedback rất giá trị giúp đưa chất lượng của project lên cao hơn rất nhiều.
🙏Hỏi: Thông điệp và nội dung của Nghĩ Kĩ là gì?
🔥Trả lời: Trong Nghĩ Kĩ, những tín hiệu neuron thần kinh được hình tượng hóa giống như những dòng điện. Fustic. Muốn mang tới cho người xem cảm giác của những dòng điện này chạy qua trong quá trình sáng tạo như thế nào, team mong mọi người thấy được cái đẹp của sự hỗn loạn trong dòng suy nghĩ và sức mạnh của sự cộng tác giữa nhiều góc nhìn.
🙏Hỏi: Bên cạnh đó, em có thể chia sẻ về dự án khác trong tương lai gần/xa (ngắn gọn)
🔥Trả lời: Fustic. đang ấp ủ một số project liên quan tới cộng đồng sáng tạo, live events & phim ngắn, các project đó là gì thì Fustic. sẽ bật mí sau 😎
Mọi người đã Nghĩ Kĩ chưa? Chưa thì lên youtube nha.
#ONAIRINTERVIEW #Fustic.
iron man concept art 在 This is Mr. B Facebook 的最讚貼文
更多巴黎迪士尼嘅Marvel 計劃流出, 呢幅圖上半部顯示出依家Marvel 園區嘅外貌, 但下半部分係經修改前嘅原貌....
原本係New York 街頭主題, 都切合Spider-Man 同Iron Man 嘅故事亦配合到Walt Disney Studios 嘅現有主題. 值得注意嘅係架列車真係一個attraction 嚟.
唉.... 其實之前個設計好靚.
依家係Avengers Campus 風格, 可能都係受三個樂園共同講一個Marvel 故事而影響. 又或者又係cut budget 所致....
連巴黎迪士尼都經歷咗咁大嘅改變, 香港迪士尼公佈咗兩年幾但都未動工嘅2023 / 2024 Marvel 計劃, 感覺可能真係會變到完全唔同晒.
https://wdwnt.com/…/photos-leaked-concept-art-and-model-re…/
iron man concept art 在 在下葉問 Youtube 的最讚貼文
●訂閱我的頻道➥https://goo.gl/D9nsJq
●追隨我的臉書➥https://goo.gl/zeVwzX
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●成為大弟子➥https://goo.gl/DmTFTW
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iron man concept art 在 Level Up! Youtube 的最讚貼文
Level Up! is back with yet another dose of awesomeness!
This time we will be honoured to have Maxx Burman!
Maxx is a matte painter/concept designer working in both film and game industry. He's also teaching matte painting classes at Learnsquared.
Maxx’s matte paintings have been featured in the films such as Godzilla, Iron Man 3 and Her and in shows including Game of Thrones, The Walking Dead and House of Cards. His video game credits include Call of Duty, League of Legends, and Dark Souls and many more!
Join us for some amazing times!
https://www.facebook.com/maxx.burman/
https://www.artstation.com/maxxburman
http://www.maxxburman.com/
_______________________
What is it?
Level Up! is an idea of two Polish artists - Wojtek Fus and Darek Zabrocki, who want to teach people and learn from each other. Recently, Level Up has expanded its host team with the amazing Jonas De Ro! Join weekly, 2-hours long livestreams with critiques, overpaintings and Q&A’s with industry professionals.
It’s free and open for everybody!
What is it not?
Level Up! is not a self-promotion platform. Though we love all good art, this group is not the place to shop for likes and followers. If you are a professional and want to share your work, please ask for critiques, overpaints or feedback, or try to explain about your work in a way that teaches others. Start a dialogue so that everyone can benefit!
Where?
Our user community is based right here in this Facebook group.
Sessions can be watched every sunday live or streamed afterwards
on our Youtube channel:
https://www.youtube.com/user/levelupsessions
How?
If you want to submit art to get a critique/ask questions/get an overpaint - join our Facebook group and post your work there! Or just send us your artwork via email!
[email protected]
We also have discord channel now!:
https://discordapp.com/invite/dby5G9N
iron man concept art 在 KeNNyVDO Youtube 的最佳貼文
【預告解說】Spiderman Homecoming 首個預告分析+彩蛋分享 | 暗藏Ironman跟Spiderman HeHe關係!? | KeNNyPlay3omething
歡迎你黎到KeNNyPlay3omething。
Spiderman Homecoming終於發咗首支預告片,今日同大家一齊睇吓條預告有咩亮點!
今次大家可以喺Spiderman Homecoming入面睇到MCU比Peter Parker一個點樣嘅定位,大家可以睇到呢個最新嘅Spiderman喺做蜘蛛俠以外嘅時間嘅生活係點。當然喺今次呢個video入面都會同你拆解少少預告見到呢啲Peter Parker嘅friend究竟係啲咩人啦。首先,今次同之前嘅蜘蛛俠系列其中一個唔同嘅地方,Peter Parker嘅best friend唔再係Harry Osborn。有好多人對於呢個轉變未完全接受,我覺得有啲新嘗試未嘗唔係一件好事,畢竟大家又睇多次Peter Parker嘅reboot,之前the Amazing Spiderman Mary Jane都變咗Gwen Stacy,但都仲有Harry喎,今次又黎,所以轉吓都好嘅。今次喺Spiderman Homecoming入面,Peter Parker嘅好朋友就係呢個肥仔,佢個名叫Ned Leeds,不過佢唔係真正嘅Ned Leeds,嗯,我咁講係咪有啲亂呢?或者我先講,Ned喺漫畫入面無論外型同年紀同今次電影嘅呢個肥仔無忽似,反而佢同漫畫嘅另外一個角色就有好多不謀而合,呢個角色就係Ganke Lee嘞。Ganke Lee其實都係Spiderman嘅best friend,不過唔係Peter Parker,而係ultimate comics入面嘅Miles Morales。漫畫入面,佢係一個肥到無朋友嘅宅男,最鍾意就係砌lego。好多人之所以接受唔到Peter Parker呢個新朋友,除咗因為唔捨得Harry,亦都因為劇組無端端將Ganke搬到黎呢個universe,咁睇怕好多漫畫迷都非常喜愛嘅Miles Morales都好難會喺MCU同大家見面嘞,會有好多人失望囉。講吓Peter今次電影嘅另一位新朋友,佢個名叫Liz Allan,喺漫畫入面Peter Parker都曾經過呢個Liz Allan,當然係早喺認識Gwen Stacy同埋Mary Jane佢地啦。呢個設定我都鍾意嘅,大家可以睇多啲Peter Parker一啲鮮為人知啲嘅生活,先再慢慢進入大家對佢地好熟悉嘅世界。行喺Liz Allan後面嘅呢個女仔睇落有啲似Gwen Stacy,係唔係呢?消息話呢個女仔演嘅角角應該係Betty Brandt,喺漫畫入面都有試過同Peter Parker擦出一啲曖昧,不過漫畫入面佢最終成為Ned Leeds嘅老婆。講吓Tony Stark,呢場開門戲我覺得寫得好好,充份分映到Tony Stark嘅性格,例如佢比套製服Peter Parker,對Peter Parker講,一啲Tony自己做嘅嘢,Peter唔可以做,而Tony唔會做嘅嘅,Peter梗加唔可以做,而喺中間嗰啲灰色地帶,就由Peter Parker自己自由發揮。跟住呢場開門戲,Tony Stark伸手過去,好似想抱下你,但又原來係想開門送你走,將Tony Stark嗰種矛盾性格都幾表露無遺。留意吓,Tony Stark嘅眼角同頭髮嘅位置都有傷痕,呢段對話應該緊接於Civil War事件之後。再睇落去,喺Peter Parker嘅課室入面,牆上掛住好多世界知名科學家嘅相,而細心睇吓,你會揾到有Bruce Banner,而預告嘅另一個片段,Peter喺學校走廊行緊,背後嘅壁畫就有Howard Stark,姐係Tony Stark嘅爸爸嘅畫像。睇到咁多呢啲畫同相,呢間學校係咪由Tony Stark資助嘅呢?會唔會因為咁,所以Tony Stark咁容易揾到Peter Parker呢?再睇吓今日上堂學咩先?今日嘅物理堂竟然係學鐘擺力學,好咪好似曾相識呢?之前提過啦,Peter Parker嘅best friend Ned Leeds係Lego迷,咁睇得出佢同Peter Parker可能其中一個共同興趣就係玩lego,除咗Ned手上拎住嘅Dead Star,喺側邊仲有一隻X Wing,同埋一隻ATAT。所以回想一下,嗯,原來係咁。講吓戲入面嘅奸角,Vulture嘅造型同之前嘅concept art非常接近。我覺得今次Vulture嘅造型設計得好好,因為睇返漫畫,要搞佢個image係可以幾有挑戰性。而Vulture用嘅飛行技術,我地之前喺MCU都睇過,無錯,就係同Falcon相當類似。撇除對眼嗰兩盞綠燈,其實Vulture嘅頭盔睇落係類似戰機飛行員佩帶嗰啲嘅頭盔。呢場戲就係Peter Parker到訪Avengers大樓,你可以見到Avengers嘅logo,咁可能Peter Parker有事要揾Tony Stark商量,不過呢個鏡頭,點講呢?Peter Parker著嘅呢件衫,Tony Stark條女Pepper都有同一件,嗯,Tony Stark同Peter Parker嘅關係。。。Anyway,歡迎你喺下面comment話我知你有咩睇法,今日KeNNyPlay3omething同大家講到呢度。記得like同subscribe我嘅channel,keep playing bro!
【預告解說】Spiderman Homecoming 首個預告分析+彩蛋分享 | 暗藏Ironman跟Spiderman HeHe關係!? | KeNNyPlay3omething
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【預告解說】Spiderman Homecoming 首個預告分析+彩蛋分享 | 暗藏Ironman跟Spiderman HeHe關係!? | KeNNyPlay3omething
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